Category archives: News

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Iceage

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Bruised Tongue & Ottawa Explosion Present an OXW Pre-party with…ICEAGE (Copenhagen, Denmark. Matador Records)

Infamous Danish post-punks invade Ottawa for the first time. Youthful snot, gothic melodrama, and melodic punk anthems melded together into a sound that couldn’t be mistaken for anyone else. Brand new LP on Matador Records!

http://iceagecopenhagen.blogspot.com/
http://www.matadorrecords.com/iceage/

PREGNANCY SCARES (Ottawa, Deranged Records)

Break-neck punk for the people. Come for the feedback stay for the spit-bath.

http://pregnancyscares.tumblr.com/

LOWER (Copenhagen, Denmark. Escho Records)

Euro-tinged doom and gloom post-punk pulling on 90s DIY heart-strings. Torch carriers for Copenhagen’s thriving N.W.O.D.F.Y. scene.

http://walkonheads.blogspot.com/
http://lowercph.bandcamp.com/

MONDAY JUNE 17Th
BABYLON NIGHTCLUB (317 Bank St.)
DOORS AT 8:30.
$12 advance/$15 at the door

Tickets available at Vertigo Records, Birdman Sound, and Antique Skateshop

Poster by Ross Proulx http://www.rossproulx.com/

http://bruisedtongue.com/
http://ottawaexplosion.com/

To get your ticket online use  the button below.


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WOW POW WOWS

Here we go! Bruised Tongue is proud to present the brand new live
outing from Toronto’s most excellent purveyors of psych-drenched
post-punk, The Pow Wows. Recorded live at the Silver Dollar room in
the bitter January frost, Bent Out of Shape documents the Pow Wows
doing what they do best: burning a hole in your mind and making your
feet move. Treat your ears to a raucous selection of setlist staples
from their critically acclaimed Get Hip releases, plus a few
unreleased tracks available here for the first time. Limited
hand-numbered edition of 100 blood red cassettes with art work by Ben
Lyon and Brad McOuat.bentoutofshape_proto

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Blue Cross

Jo expressed his true feelings about us in an interview with Maximum Rock N Roll.

“There’s two different pressing of the album on cassette tape. One by local indie rock/experimental tape label Bruised Tongue Tapes. They do a good job and are pretty rad guys with Hitlerjugend haircuts.”

http://maximumrocknroll.com/ottawa-canadas-blue-cross/

yips cover

The Yips Gets Yapped About

The Yips’ soon to be released EP kicks off with a spooky number called “Blood Meridian”, either a nod to the Cormac Mccarthy novel or the so named Vancouver band. I’m betting the former, as the dark tones really reflect the mood of that incredible book. The song emerges slowly out of a murky soundscape and by the time vocalist Kerri Carisse begins singing you are hooked utterly. Her bassy phrasing is perfect for the languid but ripped and distorted gothy punk, soaring occasionally to some really masterful runs.

– Matt Lee

Read the rest over at The Big Takeover!

boyhood

FAMILY MATTERS

We’re keeping things in the family with our two latest releases:

BOYHOOD- When I’m Hungry

Those of you keeping track of our output over the past year will already be more than familiar with Boyhood’s bedroom blended brand of psych’d out slow-burning poly-pop. Following a quickly out-of-print five-song EP and a springtime tour of the Eastern US, Boyhood baited us with a track on last summer’s Afterburners Vol. 2 compilation setting the tone for what would become her first full-length, When I’m Hungry. Continuing in the tradition of her first release, Caylie Runciman is a one-woman arsenal. Having written, performed, and recorded all instrumentation completely on her own, the ten tracks on When I’m Hungry channel an energy reminiscent of deeper cuts from the 90s American DIY canon years beyond the young mind that spawned them. Available NOW in an edition of 100 half-black/half-white 25 minute cassettes with digital download.

GRIME KINGS- First View of the New

The newest addition to the Bruised Tongue roster further exposes the damaged genius of the Runciman bloodline.  The verdict is still out on whether to point the blame at a genetic mutation, a tainted Belleville municipal water supply, or “the brown acid”, but there is definitely something to be unearthed here.  Brother of the Boyhood mastermind, Callum Runciman has become a staple of the ‘hood’s live lineup over the past year while writing and recording with his own crew of barely legals under the Grime Kings moniker. First View of the New is a 40 minute walk around the brain of a 17 year-old prodigy discovering himself in front of a 4-track. Album opener, Modern Day Lady’s bombastic party beats might invite you in, but Angel or Ghost’s Cleaners from Venus-esque keyboard melody is there to keep you in check.  Grime Kings dip their toes in several different cesspools of distortion on this release and they do it all with soul, style, and substance. With high school graduation and age of majority only a few months around the corner, we can’t wait to hear what they’ll come up with next. Available NOW in an edition of 60 pink 40 minute cassettes with digital download.

Biesinger

Black & White Illustrations by Raymond Biesinger

Wurm Gallery | Invisible Cinema | Ottawa Explosion present

Black and White Illustrations by Raymond Biesinger

A Book Launch and Three-Week Print Exhibit November 23 – December 12, 201
Opening Night: Friday November 23rd, 2012 8pm

With a Presentation Talk and Slide Show, Drinks and DJ Skid Vicious. Books and Prints will be available for sale. Black and White Illustrations by Raymond Biesinger, the book, is a self-published 208 page 8″ square collection of black and white illustrations dating back from the year 2002 to present. The images within had been made for everything from the New York Times to Raymond’s band, the Famines, to Xeroxed zines and arts weeklies. Also included in the book: a chapter containing only previously unseen rough sketches, and a chapter exclusively holding Famines material. The cover and rear are embossed, and there are 9300 words worth of endnotes that give context to the more interesting of the images. Artist’s Statement: “I’ve held one notion close to me for more than a decade now: that we live in a fantastically rich time and place, and almost anything is possible. In that environment, the most original and interesting thing you can do is impose limitations on yourself. Likewise, we live in a time and place where decoration is king and content is out of fashion. I am a fan of the latter, and not the former.”

About Raymond Biesinger: Raymond Biesinger is a Montreal-based illustrator who spent a very long time in Canada’s west, and he’s been lucky enough to work with clients like the New Yorker, Monocle, Le Monde, Time, GQ, Wired, the Globe & Mail, etc. He’s also in a noise-garage band called the Famines, likes working in B&W best, and wishes he still owned a Xerox machine.

For more information and images see: http://www.fifteen.ca/
For preview poster: http://tinyurl.com/b8lyflx